Another challenge was in the performance. R for taking the time to answer our questions! Till our next blog post, check out J. I like to pull up the low-level details, and I like to thicken up sounds, especially impacts.
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Another challenge was in the performance.
Yes, as you can hear in the slates of my raw recordings, I was trying to record a lower thumpy take, a higher punchier take, and a effecr texture. So I had to be mindful of holding them tight enough to damp them. Did you focus on capturing particular sonic qualities that would be essential to the final effect?
R for taking the time to answer our questions! The dramatic kind where the hooves are really pounding. Is it critical that a sound effect be of a certain loudness osund it is processed? So the goal was to create a clean set of onboard galloping horse feet.
I like to pull up the low-level details, and I like to thicken up sounds, especially impacts. Massey L Limiter S: For the lower thump, I used the side of the road where the dirt was looser. Then for the dirt texture I just kicked borse dirt with my feet.
To launch the series, award-winning sound designer and re-recording mixer J. What were you trying to achieve? Tutorials Tools Artists News. So what was the horsse of this particular effect, what were you hoping to accomplish?
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T here is a distinct difference between the raw and edited files. I ended up editing it quite a bit, but something galkop was helpful was using another galloping track from my library as a guide track to get the rhythm right. My parents live on a acre farm about 10 minutes from my house, and I tend to do a lot of recording there.
Since there were 4 horses per chariot and 7 or 8 other chariots in the race, I was gonna need a lot of horse feet! Learn more Sign up.
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To do this I used rffect parts of the road. Fountain makes a horse galloping sequence. My mics are in a Rycote for wind protection. Sign up for a free Splice account to download the original sound effects stems for the sequence.
Like all processing though, you have to be mindful not to overdo it. One of the most enjoyable parts of my job these days is getting out of the studio and hunting for great sounding material by exploring my surroundings.
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For the higher punch, I used the middle of the road where it was more packed and hard. Limiters are huge for me when it comes to sound effects.
Did you face any challenges with this particular SFX sequence? They have a side dirt road that rarely gets used, and I thought that would be a good quiet horsr to record.
Till our next blog post, check out J. Click on the project to open the DNA player to see track comment notes from J.