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G-Force: Guardians of Space (TV Series – ) - IMDb
The only terms retained from BotP were the name of the group as a collective "G-Force", in order to explain the "G" on their costumes and vehicles and the team's ship "Phoenix". Owned and distributed by: The renaming of the various characters and terms in G-Force are highlighted as follows in correspondence to their Gatchaman equivalents, among others:.
The Movie Gatchaman film Battle of the Planets: Guardians of Space lost their distribution and marketing rights to the original Gatchaman series and its adaptations sometime in Since its original U.
This section does not cite any sources. Ladd had previously been offered to produce Battle of the Planets by Vuardians Frank himself a few years before, but passed on the offer due to location conflicts; Ladd was working out of New York City at the time, while BotP was being produced in California.
Gatchaman by Tatsunoko Production.
Get Known if you don't have an account. Within days, Ladd and his company were given the greenlight to produce the adaptation, and spave on G-Force began in the fall of Jan Rabson some episodesGregg Berger others. Please help improve this section by adding citations to reliable sources. Supposedly, it was replaced by re-runs of Gilligan's Island the following week.
To date only a handful of G-Force episodes have been released on home video, totaling to just 13 of its 85 episodes when adding up all of the ones in the following DVD releases:.
G-Force: Guardians of Space - Wikiwand
On the creative side, the original Gatchaman character names and terms were once-again re-tooled and Americanized in G-Force for the convenience of the English-speaking market, as they first were with Battle of the Yuardians years earlier. Between the efforts of both Battle of the Planets and G-Force99 of Gatchaman' s episodes were adapted. It was not until ADV Films ' uncut and unedited release of the first Gatchaman series in that all episodes were adapted and available in English.
Also to be taken into consideration is the fact that the Gatchaman series became increasingly darker and violent towards guardiahs end, which would have made adapting those last episodes difficult, given that G-Force was g-forc marketed towards children.
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Regardless of whether this was true or not, the show was syndicated internationally in the following years, finding a decent following abroad while the U. To develop this project, Turner enlisted the help of Fred Ladda pioneer in the field of translating and distributing Japanese animation in the U. Guardians of Space episodes. The evil aliens Galactor and Computor, along with their armies of androids and giant monster machines, want to take over the Earth! Television stations began relegating the show to early morning timeslots as typically done with programming on its way off the air before dispensing of it altogether.
Turner executives believed that the series still had potential, and in turn acquired the rights from Sandy Frank to begin work on what would come to be known as G-Force the same title given to the collective group of protagonists in Battle of the Planetswhich in turn would be used for the same purpose on the new version. Guardians of Space debuted on TBS in Julybut only ran for a week before it was abruptly pulled guardiams replaced with reruns of Gilligan's Island. It resurfaced on Cartoon Network inwhere it managed to air its entire run.
The reasons behind this decision are not exactly known; some sources claim that only 85 episodes were contracted and bought for this adaptation while others claim that budget constraints or lack of interest in adapting the remaining episodes cut it short.
G-forcw Dinehart, David E. Collection 2 DVD set. Almost a decade later, Cartoon Networkanother of Ted Turner's networks and still in its infancy was in dire need of newer and fresh programming, which conveniently provided an opportunity for G-Force to make its proper U.
G-Force: Guardians of Space
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This was a relatively common practice, purportedly to maintain the pace of the show and prevent the audience from losing interest during a lull in action.